Friday, October 23, 2009
Monday, October 19, 2009
This is a portrait of the poet Charles Wright that I drew for The New York Times Book Review when a collection of his poetry, entitled "Scar Tissue", was released. Likenesses are tricky territory, but I was pleased when a personal friend of the poet contacted me and purchased a print of my drawing to give to Mr. Wright as a gift. That kind of thing is very satisfying to an illustrator, because the work is generally sent out into the world with no expectation of response.
Sunday, October 18, 2009
Tuesday, October 13, 2009
Sunday, October 11, 2009
I've been doing these drawings for The New York Times Mutual Funds Quarterly for many years now and it's a great gig. First of all, what's funnier than Mutual Funds? Well... a lot, especially of late, but it's still the goal to produce something humorous that conveys the status of the current market. This last quarter was pretty darn great, but... can the bounce-back continue? Apparently there's a sea of doubt out there. The notion of those trampolines with the safety nets (I always need a grid to play with for these) came to mind. Maybe we can bounce back so high we'll have some problems...
Thanks to the section art director, Fred Norgaard, for always coming back to me with these.
Friday, October 9, 2009
A while back I had a great assignment, drawing for a New York Times Book Review cover featuring Middlesex, by Jeffrey Eugenides. It's a complicated story about a person who is both a man and a woman - strange, but great fodder for illustration. Steve Heller was designing those pages then and The Book Review has long been a great showcase for fine illustration. I'm always honored to be included there.
Wednesday, October 7, 2009
This cover for "Corn & Capitalism" has an interesting story. I had done a piece for the Op-Ed page of the New York Times dealing with the US corn industry and it's pervasive power. A while after that editorial ran, I got a call from The University of North Carolina Press. They had seen the Op-Ed and thought the drawing dove-tailed perfectly with a book they were releasing... so, the strange corn drawing got a second life. If only all of my the illustrations would circle back for a second bow. Once in a while these little bonuses crop up (insert corny joke here).
Tuesday, October 6, 2009
This a funny logo I did for another songwriter's record label. I seem to know too many songwriters and not enough fortune 500 executives. The upside is this - you can be playful and design a scrappy-little-dog logo for a record label.
Remember album covers? Well, I do and I miss them. I was too late to have ever had an assignment designing an LP cover, but I do occasionally design CD packaging and it's a satisfying (if tiny) undertaking. Sadly, CD's seem to be going the way of the buffalo as well, but that's another story. This particular CD cover went the way of the flying pig... it was done for a San Fransisco songwriter named Billy Schafer. I hope the pig has done well for you, Billy. I used a big, huge, ugly pig rather than the go-to cutey-pie. I think it serves to underscore the essential notion here, that anything is possible. Is that true? Hey, what's the greatest album cover ever? Please opine...
Monday, October 5, 2009
To the right is the cover for The Nation magazine's recent "Food For All" issue. I designed the lettering and Steven Brower did the cover layout. Inside the issue I did several illustrations and additional lettering as initial capitals. This was a great assignment to work on, and the articles included are all compelling. It was a special treat for me to do an illustration for a piece concerning Wendell Berry, one of my favorite poets, but also a very critical early figure in the sustainable agriculture movement. The piece shown above the cover illustrates a different article, by Dayo Olopade, "Green Shoots in New Orleans".
Saturday, October 3, 2009
Friday, October 2, 2009
Here's a nice big drawing I did for The University of Minnesota Foundation. It's tricky to find a humorous yet respectful solution when creating an image about a serious disease, but I think we ended up with a very nice result. I love working for University publications. They're outside the frenzied loop of commercial magazines so the art directors are always calm and easy to talk to.
I'm working in to very different illustration styles of late. This piece is the more traditional, humorous and conceptual. The newer style, which I have been doing more and more of, is digital collage (more to come on that).
I am told I should blog, told this by those who do. So, in the grand tradition of leaping into pools of unknown depth, for the rush (if not a calculated result) here we go. I will be posting artistic musings, design and illustration work, opinions (yikes), and other stuff as I see fit and gradually muster my innate blogness. Please stay tuned.
This is a recent piece from my "digital sketchbook". I will post these as they are finished. They are surreal collages compiled from junk, web images, treasured scraps of this and that, and collected nonsense of all kinds. Towards the end they start to take on meaning. That's when I hit "save" and get out of the equation. The important question being, what does it mean to you?